Ghislaine Dionne’s journey to the operatic stage is as unique as it is inspiring. She grew up in a home filled with the sounds of 1950s MGM musicals. In her living room, she would often turn it into a stage, performing impromptu concerts long before stepping onto a professional one. Initially, she pursued a career in computer programming, believing it to be a responsible choice. However, the call of music was too strong to ignore. Eventually, she returned to her true passion, guiding her back to the stage she was destined for.
Her operatic debut came in Ariadne auf Naxos, where she played the lead role. This performance was with members of the Canadian Opera Company ensemble. It was one of the most demanding roles for her voice type, in a fully staged production with an orchestra. This was a defining moment, one from which there was no turning back.
She later performed as the soloist at the inaugural concert in Romania’s Dinu Lipatti–Clara Haskil Hall. Finnish composer Ari Romppanen wrote Tanssikaamme especially for her, and she premiered it at the Joensuu Music Festival. Additionally, she was invited to perform for the Governor General of Canada and President Sauli Niinistö of Finland during Canada’s 2023 State Visit to Finland.
In recent years, Ghislaine has focused on recital work, curating programs that tell a story. One such program marked the 100th anniversary of Gabriel Fauré’s death. It traced his development, featuring songs by his mentors, works that show his stylistic progression throughout his long career, and concluding with pieces by his most celebrated students, reflecting Fauré’s legacy.
Dalton Baldwin once called her “the girl with the golden throat.” This phrase captures her generous expression and heartfelt connection with audiences. Her voice resonates with clarity and sincerity.
Beyond the stage, Ghislaine founded Artes Verae Atelier to mentor emerging singers. Inspired by her mentors, Ingemar Korjus and Sandra Graham, she believes in the importance of generosity to both audiences and fellow artists. Her career reflects her devotion to music’s emotional power and the deep connections it creates.
For presenters who programme with intention.
My work is shaped by voice, silence, text, and presence. It’s not entertainment—it’s performance. If that resonates, we should talk.
Technique is just the beginning.
I teach with a focus on craft, clarity, and artistic responsibility. Technique is only the beginning. If you’re serious, you’ll find space to grow here.